Texts by me

Old as new as old as new as… (English)
Composer’s Notebook Quarterly #2 Amsterdam, April 2008 PDF article

Lo viejo y lo nuevo (Español)
VOXes Revista Académica de Música Nro.1 UNL, Bs As, Argentina Junio 2008 PDF article

My article About notation and the score of Zand (mistakenly titled Música invisible) was published in Notations 21  by Theresa Sauer. PDF article

My house in a score. Low-tech paraphernalia in chamber music (English)
The ear reader  August 2014. PDF article

Mi casa en una partitura. Parafernalia low-tech en música de cámara (Español)
Revista Espacio Sonoro nº 32-01/2014  PDF article

Drinnen Vor Ort. Festival Rümlingen 2011. (Einladungskarte). Neue Musik Theater Installationen. September 2011

Musique concrète:  notes on image and sound (English)
Self-publish Februay 2016 PDF article

Musique concrète:  anotaciones sobre imagen y sonido (Español)
Publicación propia Febrero 2016 PDF article

 

Fragmente-Stille, an Diotima, a personal listening.
Master Thesis Conservatory of Amsterdam, March 2004 – Coming soon.

References to my work – books

Música invisible for trumpet is cited in Modern Times for Brass by Malte Burba and Paul Hübner.

Casi cerca: Interview with Cecilia Arditto by Makis Solomon at The Logbook 3rd International Forum 2004; Centre de documentation de la musique contemporaine (CDMC) ; Ensemble Aleph. Link to PDF complete interview (English and French)

Música invisible is cited in John Coltrane, la musique sans raison, chapter Les yeux fermés, une musique invisible by Michel Arcens (in French) Link to excerpt (in French)

My article About notation and the score of Zand (mistakenly titled Música invisible) was published in Notations 21  by Theresa Sauer. Link to article

Música invisible for cello is cited in Une approche ergonomique des langages microtonaux au violoncelle by Émilie Girard-Charest.

A text I wrote for Notation 21  is quoted in The Work of Literary Translation by Clive Scott

 

Split piano is cited in Estéticas de lo extremo, chapter El silencio como categoria estética by Luciano Luterau.

Comments about the experimental female scene in Argentina are included in Positionen, in Todo es Musica: Der Alltag in der Anomalia Argentina by Sven & Gerliene Schlijper-Karssenberg

Kijken naar geluid (seeing the sound)
Essay by Renèe van Marissing (Dutch); Pictures by Seye Cadmus
Link to article

Creating a colorful program by Ashley Killam  International Trumpet Guide March 2021
Música invisible for trumpet is proposed as new repertoire for trumpet in education Link to article

Interviews

Cecilia Arditto Delsoglio by Aftermath Laika (2021) Image Campus – Spanish
https://www.imagecampus.edu.ar/entrevistas/entrevista-cecilia-arditto-delsoglio Link to interview (online)

Cecilia Arditto Delsoglio by Makis Solomon (2004) The Logbook, Ensemble Aleph – English and French. Link to interview (PDF)

References to my work – thesis

Luisina Kippes (2022) La percepción del estímulo audiovisual en un espacio/recinto condicionante Real Conservatorio Superior de Música de Madrid. Esta investigación indaga acerca de cómo la distribución espacial y las estéticas tanto visuales como sonoras pueden condicionar y afectar a la percepción del espectador. La música de Elena Mendoza y Cecilia Arditto son el centro de este estudio.

Michele Abondano (2022) The composition of timbre: a multidimensional approach. PhD thesis, University of Leeds. Mention of my orchestra piece Tissue  Link to PDF file

César, Paula (2019). Si no se la oye, no trasciende… Panorama actual de las compositoras argentinas.Cuatro obras para flauta sola. Conservatorio superior Manuel de Falla.
Analysis of Música invisible for flute  + interview Link to full text

Dos Santos, Douglas Rafael (2019). Timbre exploration on water gongs. Turkish Music State Conservatory
Reference to La madre del río and Mapas del agua Link to PDF file

Serale, Daniel (2019). Percussão teatral em Kagel: performance e representação. Universidade Federal do Rio de Janeiro.
Reference to Música invisible and Musique Concréte Link to full text

Vieri, Lilia Sofía (2017) Protagonismo de la mujer en la música. El rol de la mujer santafesina en la creación musical. Revista AMÉRICA Nº 26 Centro de estudios hispanoamericanos. Reference to my activity as a composer Link to full text

Paul, Abel (2017) Doubles and duplication: a study of their application as musical materials and compositional devices—mirrors, still lifes, echoes,
displacements. University of Huddersfield.
Reference to Around Music and Gespleten Piano Link to full text

De Oliveira Filho, Pedro Amorin (2014). Compor no mundo: Um modelo de compor música sobre bases fenomenológicas. Universidade Federal da Bahia
Reference to Música invisible  Link to full text