Cecilia Arditto Delsoglio

Cds

Texts by me

voxes

Old as new as old as new as… (English)
Composer’s Notebook Quarterly #2 Amsterdam, April 2008 PDF article

Lo viejo y lo nuevo (Español)
VOXes Revista Académica de Música Nro.1 UNL, Bs As, Argentina Junio 2008 PDF article

My article About notation and the score of Zand (mistakenly titled Música invisible) was published in Notations 21  by Theresa Sauer. PDF article

My house on a score logo tapa ENG

My house in a score. Low-tech paraphernalia in chamber music (English)
The ear reader  August 2014.
PDF article

Mi casa en una partitura. Parafernalia low-tech en música de cámara (Español)
Revista Espacio Sonoro nº 32-01/2014 
PDF article

Musique concrète:  notes on image and sound (English)
Self-publish Februay 2016
PDF article

Musique concrète:  anotaciones sobre imagen y sonido (Español)
Publicación propia Febrero 2016 PDF article

 

Fragmente-Stille, an Diotima, a personal listening.
Master Thesis Conservatory of Amsterdam, March 2004 – Coming soon.

References to my work - books

My article About notation and the score of Zand (mistakenly titled Música invisible) was published in Notations 21  by Theresa Sauer. Link to article

Música invisible for cello is cited in Une approche ergonomique des langages microtonaux au violoncelle by Émilie Girard-Charest.

A text I wrote for Notation 21  is quoted in The Work of Literary Translation by Clive Scott

 

Split piano is cited in Estéticas de lo extremo, chapter El silencio como categoria estética by Luciano Luterau.

Comments about the experimental female scene in Argentina are included in Positionen, in Todo es Musica: Der Alltag in der Anomalia Argentina by Sven & Gerliene Schlijper-Karssenberg

Interviews

Cecilia Arditto Delsoglio by Aftermath Laika (2021) Image Campus – Spanish
https://www.imagecampus.edu.ar/entrevistas/entrevista-cecilia-arditto-delsoglio Link to online interview

References to my work - thesis

Presentations online