for clarinet, accordion and cello
for Roadrunner Trio
Life on Mars is a trip between tonality and micro-tonality. When zooming in from a scale to a single tone and within that single tone to a micro-tone scale, our perception moves progressively deeper and deeper into the sound. Imagine that the perception of tones and micro-tones resembles observing Mars from Earth while getting increasingly closer to its surface; after a while, our eyes can’t embrace the whole planet anymore, only the small details.
The clarinet uses extremely micro-tonality: scales of 32nd of tone obtained by the usage of specific ventilation holes. The aim is not to turn the audience into listening machines but to create a context that opens perception.
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